#NYRBWomen24
A Year-long Group Reading Project:
23 NYRB Classics written by Women (15-20pp per day)
• January thru December 2024 •
23 NYRB Classics written by Women (15-20pp per day)
• January thru December 2024 •
"Babitz takes to the page lightly, slipping sharp observations into roving, conversational essays & perfecting a kind of glamorous shrug." - Katilin Phillips, Bookforum Links of Interest
- Eve Babitz, Collage Artist - Eve Babitz calling Joan Didion [video] - Conversation between Eve Babitz & Hunter Drohojowska-Philp [video] 3 Aug 2011 |
"[Divorcing] is about much more than the breakup of a marriage. Perhaps it is mostly about misogyny and how it can discourage and deaden a clever woman. It is also about being haunted by the ghosts of the Holocaust and the ghosts of a marriage. And it is about the kind of rupture, both personal and historical, that can’t be neatly resolved, not in life nor in a novel." —Deborah Levy, The Guardian |
"A strange, fresh, gripping book...Mortimer peels several layers of skin off the subjects of motherhood, marriage, and monogamy, so that what we're asked to look at is frequently red-raw and painful without being remotely self-dramatizing. There's a dreaminess to some of the prose..." - Nick Hornby, The Believer |
"Stunning. Reads like extravagantly mannered fiction, except that it is fabulously true. Mitford is at once touching & wildly funny, and there is not one of her highly coloured characters that is not violently alive and uncomfortably kicking." - Tatler |
"Picasso launched — and lost — three lawsuits trying to prevent its publication. Some forty French artists and intellectuals...signed a manifesto demanding that the book be banned. They evidently found it acceptable for Picasso to have used Gilot's likeness in hundreds of his artworks — but scandalous if she portrayed him in hers." - from the Introduction by Lisa Alther |
"...urgent, ecstatic, unbridled, and breathtakingly intimate...part confession, part love letter, part fiction, part memoir, part suicide notes...a thrilling testament to her original mind and impassioned heart." — Sarah Shun-Lien Bynum |
"Think of her as Jane Austen with the gloves off." — The Japan Times Links of Interest
- Eileen Chang's bio on Wikipedia |
"Tergit's prose is energetically rendered by Sophie Duvernoy ... Tergit's gift for engaging dialogue enlivens the novel. But beneath the witty comedy and acute observation lies a sober reminder of the dangers brewing: references to mounting debt and widespread bankruptcy; and as the election poster go up, auction are held and suitcases of the vulnerable stand ready." — Rebecca K. Morrison, TLS |
"Arendt probes so deeply into her subject's inner life, and writes so vividly about her frustrations and sorrows, that the biography often reads like a novel ... an imaginative mix of biography and social commentary that still feels, as the scholar Barbara Hahn writes in her introduction, thoroughly 'ahead of its time." — Lily Meyer, NPR |
"May Sinclair's great literary works tell of the inner lives of quiet women." — Joanna Griffiths, London Review of Books |
"Teffi reimagines old Russian wonder tales with an inimitable blend of ingenuousness, slyness, and mischief. Poised between provoking fear and fascination, belief and disbelief, her stories give glimpses of uncanny sightings, weird figures, and shivery experiences that break into - and enliven - the humdrum daily round. This a hugely enjoyable and surprising collection..." —Marina Warner |
"Is there prose more intimate, more piercing, more heroic, more astonishing than Tsvetaeva’s? Was the truth of reckless feelings ever so naked? So accelerated? Voicing gut and brow, she is incomparable. Clad in the veil of translation, expert translation, her recklessness commands, her nakedness flames." —Susan Sontag |